Sunday, 28 September 2014

Making of Colour


Making of Colour

            On the 9th of August I attended the Making of Colour exhibition at the National Gallery.  The exhibition explained where colours came from and how they were used during their popular time.  It also showed how we perceive colour and how the eye and brain work together to respond to colour.  Each room had a different colour to explore and learn about.

Blue

            When the colour blue was first popular it was very rare and precious.  For a long time the ‘richest blue available to painters was natural ultramarine’, this was made from lapis lazuli which is a semi-precious stone.  A few centuries ago, this blue was more expensive than gold.

            Smalt (which is a cobalt glass) is a deep blue coloured glass when it is ground down as a pigment.  This was used for pigment in paintings and ceramics and was quite popular as it was affordable.

 

This picture is of Joseph Mallord William Turner’s paintbox.  It is amazing that we can view objects like this in exhibitions as we can get an insight into the tools that were available in that century.  It just so happens that the housing estate which my parents live on in Sandhurst are all road names named after painters.  There is one in particular called ‘Turners Place’
 
 

 

Red

            Red paints were originally made out of vermillion mixed with oil or egg but they turned transparent.  So thicker colour was usually extracted from bodies of insects (blood) therefore, this is where I think this is why red known for the colour of blood.


Gold/Silver

            Gold and silver are not included in the spectrum of colours.  Gold was a very precious material to use in paintings, and it was used to dignify images.  Silver contrasts with the gold, unfortunately it tarnishes to brown/black very easily.

I really enjoyed this exhibition as it was big with lots of interaction.  There were lots of pictures to look at with colour description in each room, unfortunately we couldn’t take pictures but I bought some postcards of the paintings to remind me of colour theory.

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